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“Deep Cover” is many things at once, including a quasi-male love story between Russell and David, a heated denunciation of capitalism and American imperialism, and ultimately a bitter critique of policing’s impact on Black cops once Russell begins resorting to murderous underworld ways. At its core, however, Duke’s exquisitely neon-lit film — a hard-boiled style picture that’s carried by a banging hip-hop soundtrack, sees criminality in both the shadows as well as Sunshine, and keeps its unerring gaze focused within the intersection between noir and Blackness — is about the duality of identification more than anything else.
The cleverly deceitful marketing campaign that turned co-directors Daniel Myrick and Eduardo Sánchez’s first feature into one of several most profitable movies given that “Deep Throat” was designed to goad people into assuming “The Blair Witch Project” was real (the trickery involved using something called a “website”).
Created with an intoxicating candor for sorrow and humor, from the moment it begins to its heart-rending resolution, “All About My Mother” could be the movie that cemented its director as an international drive, and it remains one of several most impacting things he’s ever made. —CA
Steeped in ’50s Americana and Cold War fears, Brad Hen’s first (and still greatest) feature is customized from Ted Hughes’ 1968 fable “The Iron Male,” about the inter-material friendship between an adventurous boy named Hogarth (Eli Marienthal) as well as the sentient machine who refuses to serve his violent purpose. Since the small-town boy bonds with his new pal from outer space, he also encounters two male figures embodying antithetical worldviews.
that attracted massive caught assy babe holed in stars (including Robin Williams and Gene Hackman) and made a comedy movie killing for the box office. About the surface, it might appear to be loaded with gay stereotypes, but beneath the broad exterior beats a tender heart. It had been directed by Mike Nichols (
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That’s not to mention that “Fire Walk with Me” is interchangeable with the show. Functioning over two hours, the movie’s mood is much grimmer, scarier attractive young brunette aidra fox enjoys hardcore and — in an unsettling way — sexier than Lynch’s foray into broadcast television.
A dizzying epic of reinvention, Paul Thomas Anderson’s seedy and sensational second film found the 28-year-outdated directing with the swagger of the young porn star in possession of a massive
Most of the buzz focused to the prosthetic nose Oscar winner Nicole Kidman wore to play legendary writer Virginia Woolf, but the film deserves extra credit history for porrn handling LGBTQ themes in such a poetic and mostly understated way.
foil, the nameless hero manifesting an imaginary friend from the many banal things he’s been conditioned to want and become. Quoth Tyler Durden: “I look like you wanna look, I fuck like you wanna fuck, I am sensible, capable, and most importantly, I'm free in the many ways that you are not.
For such a singular artist and aesthete, Wes Anderson has always been comfortable with wearing his influences on his sleeve, rightly showing confidence that he can celebrate his touchstones without resigning to them. For proof, just look at just how his characters worship each other in video sex order to find themselves — from Ned Plimpton’s childhood obsession with Steve Zissou, on the gentle awe that Gustave H.
is usually a look into the lives of gay Guys in 1960's New York. Featuring a cast of all openly gay actors, this is a must see for anyone interested xxxcom in gay history.
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